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Saturday, April 27, 2019

A Dog of an Anti-Semitic Cartoon

Read Dominic Green's excellently-written article about the anti-Semitic cartoon published in the New York Times. Here's an excerpt, so you can experience his writing style:

"Easter worshippers who opened Thursday’s copy of the International Edition of the New York Times were treated to a cartoon to warm the cockles of white supremacists, Islamists and lovers of ‘Edelweiss’ everywhere. The cartoon, apparently by a Portuguese artist named Antonio Antunes Moreira of Espresso, depicted a blind Donald Trump, resplendent in the kippah he wears at all times except when the cameras are near, being led by Benjamin Netanyahu in the form of a sausage dog, wearing the Star of David dog collar that all sausage dogs wear.

Some people published something, and now all those over-sensitive Jews are blaming the entire New York Times for it. How thin-skinned they are. I mean, it’s not like this cartoon says that a tiny country on the other side of the world controls the president of the most powerful country in the world.

It’s not like this cartoon implies this alleged manipulation is religious in inspiration, hence the kippah and the Star of David necklace, as if that might be the source of the malignant and magical power that this tiny people exerts over global politics.

It’s not like the image of the ‘Jewish dog’ as manipulator has any resonance in European Christian culture. ‘As the dog Jew did utter in the streets, “My daughter, O my ducats”,’ Salarino says in the line that isn’t in The Merchant of Venice.

It’s not as if the same image of the Jewish dog has any resonance among Muslims, whose holy book promises the transformation of Jews and Christians into apes, pigs and dogs.

It’s not as if this classic European anti-Semitism, combined with what dog breeders would call a novel crossbreeding with themes rampant in the Jew-hating Arab and Muslim world.

It’s not, because none of it is real. This, at least, is the argument of the morally enfeebled non-apology that the Times’s New York office emitted after all the touchy Twitter Jews complained."

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